![]() ![]() Yet, I felt the floor density was higher than the 2009 vs. A bit more than last year – so still a “down” year compared with peaks of a few years ago. ![]() Tons of new versions of many of your favorite NLEs, color grading tools and other items. I’m back home now and have had a day to decompress and make a few observations about NAB Convention.įirst off, this was an extremely strong show for post. ![]() I always enjoy the show – partly for the new toys – but also to hook up once again, face-to-face, with many friends in the business. Enjoy!įeatured in the post – Thelma Schoonmaker, Scott Brockįeatured in the post – Jay Cassidy, Crispin Struthers, Alan Baumgartenįeatured in the post – Andrew Weisblum and Bill Pankowįeatured in the post – Dylan Tichenor and William Goldenbergĭirected by Andy and Lana Wachowski and Tom Tykwerįeatured in the post – Kevin Tent, Mindy Elliottįeatured in the post – Angus Wall, Kirk Baxter, Tyler Nelsonįeatured in the post – Rob Legato, Thelma Schoonmakerįeatured in the post – Colleen Sharp, Jeremy Newmarkįeatured in the post – Jon Harris, Tamsin Jeffreyįeatured in the post – Angus Wall, Kirk Baxter, Michael Cioni, Tyler Nelsonįeatured in the post – Vartan Nazarian, John Ryan, Ellen Kenesheaįeatured in the post – Angus Wall, Kirk Baxterįeatured in the post – David Tedeschi, Rob Legatoįeatured in the post – Ethan and Joel Coenįeatured in the post – Walter Murch, Sean Cullenįeatured in the post – Ray Tintori, Par Parekhįeatured in the post – Ron Ames, Rob LegatoĪrticles originally written for Videography and Digital Video magazines (NewBay Media LLC) ![]() I hope you will take the time to revisit these articles and pick up some tips that might benefit your own personal style. Although I don’t consider myself in the same league as most of these luminaries, I’ve included a few projects of mine, which happen to fit nicely into the world of indie filmmaking. Even Adobe’s tools make several appearances. For those keeping a tally, Avid Media Composer and Apple Final Cut Pro are well-represented, along with “cameos” by Lightworks. The interviewees were gracious enough to share their experiences with creative challenges and how they leveraged editing technology to get the job done. These interviews cover a wide range of feature film styles. You can click on the “filmmakers” category on the side panel to access these stories, but I’ve aggregated them here for easy access here. I’ve had the good fortune, thanks to my work with Videography and Digital Video magazine, to interview an inspiring collection of some of the best film editors in the world. Further updates will be made on that page. Lambert notes that React also works to varying degrees with Avid’s Media Composer and Adobe’s Premiere Pro.NOTE: This post has been changed into a page on the top header, called “Film Stories”. With this capability alongside the proven feature-sets of Lightworks and QScan, anyone involved in the creative process will be able to collaborate in a single, easy-to-use connected environment.”Īdds ioGates CEO Jesper Anderson, who with the acquisition assumes the new role of LWKS director of cloud workflow design, “this acquisition enables us to take our cloud workflow expertise to the next level by developing powerful, easy to use and highly collaborative solutions for every type of content creator.” The full integration is expected to be completed in the Fall.Ĭalling the acquisition “an extremely positive move for everyone involved in video and film creation,” LWKS CEO Peter Lambert says, “IoGates’ React offers a simple and secure way to bring those teams together. The first stage in the product integration - which allows shots to be shared by the DIT on set with the editor - will be introduced this week to the British Film Editors (BFE) organization. 'Dark' Star Oliver Masucci on Blowing Up German Cold War History with 'Herrhausen - The Banker and The Bomb' ![]()
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